MOMA.

On Saturday I went to the Museum of Modern Art Museum in Oxford avec my chum Anna who, being an art teacher in a school in Bristol herself, I thought might enjoy and appreciate a look around the exhibition (also it was free entry and we’re broke!) I’ve been once before but found the project on at the time (that centred around oranges??) rather bizarre and I didn’t ‘get’ it. The itty bitty museum was founded in 1966 and showcases copious amount of interactive and innovative art projects. The museum’s aim is to bring contemporary art to everyone and make it more accessible and enjoyable.

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Currently the museum is showcasing Anne Hardy’s FIELD project which uses a variety of audio, photography and sculptures with the combination of different colours, materials and textures in order to present a variety of ‘landscapes.’ You can read more about the exhibition and the artist herself here.

Not that the bar was set particularly high after the last visit, but this exhibition certainly exceeded expectations and I found it so much more interesting and enjoyable than that revolving around spherical fruit. Provided with a well-explained pamphlet I was actually able to understand the artists intentions behind her work, something that is very rare with exhibitions and I’m often left dumbfounded and headachy in desperate attempts to understand what they truly meant before giving up entirely and left disappointed.

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We had to take our shoes off and walk around this rectangular room covered in bright yellow felt full of weird and quirky sculptures (I confess, I felt a little like the wife in Gilman’s ‘The Yellow Wallpaper!) Whilst completely baffled at the time and thinking that the swirly material on the floor was spaghetti, all was made clear in the next section. The spaghetti sculptures weren’t in fact a form of pasta but rather models of debris that the artist had swept up post the production of her ‘central’ piece (sadly I didn’t manage to get a good picture of this – sorry!) Alongside the bizarre reincarnations of this dust n shiz echoed odd noises which you find out are what Hardy thought the debris would sound like; I promise it was much cooler but just as mad as it sounds!

The exhibition was bright, fun and defiantly worth a little meander around if you’re in the area because it’s unusual, free and there’s something warming about appreciating and supporting ‘smaller’ and local artists.

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